I wanted to post this on Monday since the Oscars were broadcasted the night before but I had gotten busy. There were some controversies from some of the acceptance speeches but I do not wish to talk about them. The most interesting one is that of the Academy’s President, Cheryl Boone Isaacs. I was already laying down when she came on stage and began talking. I was very interested in what she was saying so I grabbed my camera and rewinded the dvr so I could record it and share it. SO the hand-held camera was a little shaky at first and I also had to increase the volume as I was filming. Please excuse that but I have uploaded it to YouTube and added Captions. These Captions I did my best on. If there were any spelling or grammar errors I apologize as both of those annoy me a lot. You can watch it here or skip down for my thoughts on her statements.
UPDATE: YouTube has blocked the video due to Copyrighted material – But the Oscars’ uploaded video of the show is terrible. I wanted to place it here – starting at the point of the AMPAS’ President – but the audio is off from the video. Others commented that it didn’t work at all. So, since I went to the trouble of Closed Captioning it – I made still photos of the proper section and uploaded them into the appropriated sections below.
I was impressed with her Oscar speech. Right from the beginning she said, “Tonight we are here to celebrate the storytellers, the men and women whose accomplishments have touched the hearts of people around the world.”
I have often used the phrase “a storyteller on film” when describing myself as a filmmaker. I loved that – right off the beginning! She went on to describe the locations of some of the Best Picture nominees. And that these “movies have captured in compelling narratives the world we live in.”
I agree. Somewhat. The world we live in was somewhat portrayed in a way that included a person with a disAbility in a movie. There are 54-56 million Americans with a disAbility. Nearly 6 million that are paraplegics and using a wheelchair. The movie, “The Theory of Everything” is about one wheeler from England and was made because it was about the famous theoretical physicist, and theoretical cosmologist (which I think is redundant since 99% of all we know about the cosmos is theory), Stephen Hawkins who has been living with ALS, a disease that quickly took over his mobility and eventually had him become a wheelchair user for the majority of his life. From what I understand, because I have yet to see the movie, is that “The Theory of Everything” does portray the earlier part of his life as he was a University student and when the ALS disease was initially began to attack his body. So while I am a very big advocate for people with a disAbility who are portrayed in movies be portrayed and represented by actors with the same or similar disAbility, this would be one that I would not criticize because it would require an able bodied actor to handle the able bodied scenes which from what I understand is a good portion of the movie. Or at least able bodied and the time that the disease was deteriorating his body and his mobility. That took some time and what the movie was about. Well, along with his relationship with his first wife and how it effected her. This movie garnered a lot a praise and even won the Best Actor award for Eddie Redmayne for his portrayal of Stephen Hawkins later in the night.
But with this many Americans with a disAbility and the United Nations estimation of 650 million people with a disAbility globally, where are the stories, the movies that include them, and not just the famous people with a disAbility, that surely are a part of the world we live in? And ones that are not only featuring or co-starring people with a disAbility AND are portrayed and represented by the actors and maybe also those like yours truly, the filmmakers with a disAbility to give the voice, view and representation of this huge underserved of the largest and fastest growing minority in America? This is the world we live in – and it not a world of famous paraplegics or others with a disAbility.
Okay. Now let’s move on in her speech. She mentions about the power of film.
And then in her very next sentence she states, “As we stand on this stage with the eyes of the world upon us, we as the filmmaking community have a responsibility.”
WOW! I have been saying that for nearly two decades! And this is when I grabbed my camera, rewinded the dvr, and began to record her speech. As I mentioned above, I have argued that Hollywood has great power which brings great responsibility. And that people with a disAbility need to be included more movies and television and that those portrayals need to include people with a disAbility in the creative roles as writers, directors, and definitely actors in those portrayals.
Cheryl Boone Isaacs went further by listing the responsibilities of the filmmaking community.
- “A responsibility to ensure that no ones voice is silenced by threat.” I would end it with “silenced” period! Actually I could say that in my nearly 20 years at this as a paraplegic filmmaker I have seen a “silent threat” that if I or we as a community push this whole “we want to be authentically portrayed and represented” then we will produce even less than the already miniscule amount of movies and television portrayals that include people with a disAbility. We have been silenced by Hollywood because they believe people do not want to see those with a disAbility – so they will not give audiences a chance – and certainly not a chance with an actor with a disAbility.
2. “A responsibility to ensure that different opinions can be shared without fear of personal or professional attack.” WOW! Again! The audience then gives a huge applause. The only time she had to pause her speech. When the applause began to get louder, the director cut to a camera on Harvey Weinstein who was clapping. He has been a champion of “different opinions” but I wonder how he would feel about the opinions of a paraplegic filmmaker? And would I be able to share them with him and without fear of personal or professional attack? In Hollywood, an attack is the same thing as a blacklist. And Hollywood does have a blacklist. I wrote about a few years ago. Again, in my nearly 20 years as a paraplegic filmmaker, I know for a fact that they do not want to have some “different opinions.” They feel that the issue of paraplegic portrayals is one that has been settle many years ago. And that is that paraplegics are not necessary beyond being “consultants” for the screenwriters, directors, and especially for the actors who will be portraying the paraplegic character. They do not want the paraplegic communities opinions and more specific, the paraplegic writers, directors, or actors opinions. I am not alone with this knowledge and personal experience. Will this change in the future? It is up to them. We continue to try. 3. “A responsibility to protect the freedom of expression.” That is wonderful. Three very significant responsibilities that the filmmaking community have as the eyes of the world are upon them. Do the eyes of the world see any authentic portrayals of the largest minority in America, the people with a disAbility? Does Hollywood protect the freedom of expression? Sure. But that doesn’t mean they accept the expression! I have had a hard time just getting an opportunity to pitch my film projects. Nor get any representation. Unlike an actor who have agents, a filmmaker usually has to find legal representation. Entertainment attorneys have access to all sort of studio executives, distributors, A-list and B-list actors. I have tried to get them to represent me and or my production company. But none will even look at my business plans – for the company or the film projects. So I remain on my own. And I know that some actors with a disAbility have the same difficulties in getting an agent to represent them. So they also go it alone. Paraplegics and others with a disAbility are almost always an albatross in the Hollywood. The chances that they get heard or get a job, in which is how their agents or attorneys will then get paid – a percentage of the job – is not worth it to them. They have to spend a lot of time finding a job for the paraplegic or others with a disAbility and they keep getting “no” from all the production companies and studios and networks. No one is going to work for nothing. The work for the best chances. And we are barely a chance and so it is not worth it to them. And I cannot blame them. They have families to feed too! But we do deserve the same and equal opportunities. And Hollywood has the power and responsibility to provide it.
Now that Cheryl Boone Isaacs has spoken of the responsibilities of the filmmaking community she continues with some very positive words.
“At the Oscars we celebrate our love of movies and in doing so we honor the courage of filmmakers who cross borders and test boundaries. Who give voice to challenging ideas and alternative points of view. And who encourage us to see the world and those around us in new ways.”
She goes on about how many people are watching the Oscars and their connection to movies. And then finishes up with thanking the audience and those who are in attendance. But the words that I put in bold above I like and are encouraging for filmmakers and actors alike. Unless you are paraplegic or someone else with a disAbility. I just could not have said it better myself. It is what I have been saying for years – and can be found in my business model which is described in my business plans. My storytelling on film do “give voice to … alternative points of view. And [do] encourage [you] to see the world and those around [you] in new ways.” But no one will know this if Hollywood will not give me and others an opportunity to prove ourselves as disAbled but very capable to portray and represent ourselves in movies and television.
These were all great words from the voice of the entertainment industry. But the Academy does not run Hollywood. It is the studios, networks and distribution companies. And to many of them, these were just words. Nice words but only when they fit their business model. And although my business model and plans are very similar – in fact, they pretty much mirror those of the most successful independent films – with the slight difference that I as a paraplegic insist that I remain the filmmaker, the writer (the voice) and director (the vision), and that I hire a paraplegic actor (the face) to portray my single paraplegic featured character in my film project – to have the authentic portrayal and representation of paraplegics in my movies. Equal portrayal and representation that they give other minorities. You would not think that would be such a barrier, but it is in Hollywood. I and many other paraplegics and others with a disAbility will go on and not give up. Even if we don’t make it – although that is what we work for and hope for so much, as much as our able bodied counterparts, but if we don’t make it, hopefully we will cut a path that gets closer for the next generation of filmmakers and actors with a disAbility.